Technical examination of Liu Kang’s Paris and Shanghai painting supports (1929–1937); Lizun Damian, Kurkiewicz Teresa, Szczupak Bogusław, Heritage Science, 2021, vol. 9, nr 1, s.1-32.
Examination of painting technique and materials of Liu Kang’s Seafood and hidden self-portrait; Lizun Damian, Szroeder Paweł, Kurkiewicz Teresa [i in.], International Journal of Conservation Science, 2021, vol. 12, nr 1, s.3-26.
Exploring Liu Kang's Paris practice (1929-1932) : insight into painting materials and technique; Lizun Damian, Kurkiewicz Teresa, Szczupak Bogusław, Heritage, 2021, vol. 4, nr 2, s.828-863.
Dokumentacja prac konserwatorsko-badawczych polichromii średniowiecznej drewnianej Piety z kościoła p.w. Michała Archanioła w Domachowie. Dokumentacja złożona w biurze Wojewódzkiego Urzędu Ochrony Zabytków w Poznaniu Delegatura w Lesznie. 2021.
The emergence of Liu Kang’s new painting style (1950–1958) : a multi-analytical approach for the study of the artist’s painting materials and technique; Lizun Damian, Kurkiewicz Teresa, Mądry Mateusz [i in.], Heritage Science, 2022, vol. 10, nr 1, s.1-38.
Painting materials and technique for the expression of Chinese inheritance in Liu Kang’s Huangshan and Guilin landscapes (1977-1996); Lizun Damian, Kurkiewicz Teresa, Szczupak Bogusław [i in.], Materials, 2022, vol. 15, nr 21, s.1-44.
Evolution of Liu Kang’s palette and painting practice for the execution of female nude paintings: the analytical investigation of a genre; Lizun Damian, Kurkiewicz Teresa, Mądry Mateusz [i in.], Heritage, 2022, vol. 5, nr 2, s.896-935.
Dokumentacja badań technologiczno-konserwatorskich obrazu Biała Dama, czyli portretu Teofili z Działyńskich 1° V. Szołdrskiej 2° V. Potulickiej z Muzeum PAN Biblioteki Kórnickiej w Zamku Kórnickim. 2022.
A multi-analytical investigation of Liu Kang’s colour palette and painting technique from the Shanghai period (1933-1937); Lizun Damian, Kurkiewicz Teresa, Szczupak Bogusław [i in.], Applied Sciences-Basel, 2023, vol. 13, nr 4, s.1-27.
A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore; Lizun Damian, Kurkiewicz Teresa, Heritage, 2024, vol. 7, nr 6, s. 2811-2833.
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